1. London Calling
2. Police On My Back
3. The Guns of Brixton
4. Tommy Gun
5. Magnificent 7
6. Armagideon Time
7. Magnificent 7 (Return)
8. Rock The Casbah
9. Train In Vain
10. Career Opportunities
11. Spanish Bombs
12. Clampdown
13. English Civil War
14. Should I Stay Or Should I Go
15. I Fought The Law

The Clash, opening for The Who on their farewell tour of the US, played two nights at the legendary Shea Stadium (October 12th and 13th of 1982). Despite being the support act, the New York Post reported "there were as many Clash fans on those nights as Who fans."

Customer Reviews Average rating - 4.0

Rating - 3 Date: 2008-11-11
Content: Don't get me wrong, any Clash soundboard release is reason to celebrate and I have enjoyed listening to this Shea Stadium gig but when you are talking about THE ONLY BAND THAT MATTERS, expectations tend to run high.

I guess I am a little spoiled but on the excellent From Here To Eternity, the smattering of live tracks on the box set and a handful of high quality bootlegs, I am used to hearing the Clash GO FOR IT. I am not used to hearing Joe Strummer sing London Calling "competently" I am used to hearing him rip it out of his guts...

At the time of this recording, The Clash was riding an international hit record, opening for The Who and undergoing the transformation from an outstanding theater band to professional arena rockers. You have to wonder if one reason for the breakup not long after this was this band looking in the mirror and not liking what they saw staring back.

In the end the positives outweigh the negatives on this recording but only just. This record has gotten a pretty big push from the record company for an archival release so maybe the best thing that will come out of Live At Shea Stadium is that enough fans will buy it to make it worth their while to initiate an ongoing vault release program. Maybe next time we'll see something comprehensive from the Bonds Casino stand or something else from the killer Sandanista era. For that matter how about a CD + DVD of the Concert For The People Of Kampuchea show?

I can always dream.
Summary: Wow, I am a little underwhelmed

Rating - 5 Date: 2008-11-09
Content: This album is a lot of fun. Sure, there are some great songs not included in the set list, but keep in mind, The Clash was an opening act this night.

In the car, my three-year-old daughter insists on listening to "Police On My Back" over and over again. She loves singing the days of the week at the top of her lungs. I'll take Mick Jones over Raffi any day!

Enjoy.
Summary: A Nice Slice ofHistory

Rating - 5 Date: 2008-11-01
Content: Sorry to disagree with those who panned this, but this is my new favorite album. Second only to the serious Beatles scholar sourpuss mentality is the strict punk purist mentality, and it's out in full force in some of the other reviews here and elsewhere on the web. Yes, this is indeed very late-period Clash, and there's a lot of other stuff that, given my druthers, I'd rather hear in the set list. However, it is what it is -- they were the opening act for the Who with only an hour of stage time allotted, plus they were touring in support of (IMHO, not their best album) Combat Rock. Moreover, I have to disagree with others who feel there is a lack of energy, enthusiasm, or power. The band does get off to an uneven start, but by the middle of the set (Train in Vain and thereafter), they hit their stride. Highly recommended and a LOT of fun.
Summary: Yo te quiero. O, my corazon

Rating - 1 Date: 2008-10-27
Content: Well, I'm not sure what to make of this one. It's a mess. Best tune, "Police on my Back," worst aspect,as usual during that period, Terry Chimes on rubber drum sticks. Looking at the guy puts you to sleep. Let me start by saying that the set list is so obviously tilted toward any songs that remotely have a military bent in support of their 1982 looks, GI Joe, except for Strummer's Daniel Boone hat(??). Sort of like when KISS changes their costumes every few years. Disjointed, no energy, and what's with Strummer's bizarre rantings, almost hostile toward the crowd. Anyway, if you want live Clash at its best, go for the bootlegs "This is Radio Clash," Bonds, 1981, I was there, unreal. The Palladium 9/21/79 (the ill fated cover of "London Calling," or so they say,) The Capital Theatre show in 1980, and anything you can find before June 1981. I would also skip the new Pink Clash book. It's very heavy and can be read in one sitting in a book store, like Barnes and Noble. It also has a cheap sell out feel to it, especially with Strummer contributing posthumously. Post Clash, I was glad to have the opportunity to see Strummer perform with the Mescaleros at the Palladium, he played a few Clash tunes, and really put on a good show. If you want to hold on to some of the magic that made them the "Only band that mattered," I'd pick up "Rock art and the X-Ray Style." Nice work by Strummer and the Mescaleros. Finally, if you want a decent live disc, "From here to Eternity" is a pretty good effort. Long live the Clash!
Summary: I can no longer shop happily

Rating - 3 Date: 2008-10-27
Content: My rating: 3.5 stars.

First things first: if you don't have From Here to Eternity yet, stop reading now. From Here to Eternity is the place to start. It contains performances which span the Clash's career through Combat Rock, including ferocious versions of "Complete Control" and "What's My Name." It's an essential album for every Clash fan.

On the other hand, Live at Shea Stadium is a pretty good, but not great, live album. Recorded in 1982 on a tour where the Clash was opening for the Who, it documents a band in transition. Terry Chimes had replaced Topper Headon. Mick Jones was on the verge of leaving the band. Amidst all this turmoil, the Clash was playing big stadium shows for the first time on the heels of the Top 40 success of "Should I Stay Or Should I Go" and "Rock the Casbah."

All these things combine to make the Clash's performance somewhat stiff and formal. Gigantic venues like Shea are not conducive to spontaneity and improvisation, obviously, but the loss of the band's musical anchor, Topper, was a near fatal blow. While Terry Chimes is not as bad of a drummer as some would have you believe (don't forget, he played on most of the Clash's classic early tracks), Topper had a much more supple and inventive style. In other words, Topper could SWING, baby! Chimes' very straightforward playing constrains the the band to following the most basic path through each song.

This album is still worth picking up though. The disc has very good sound for a live recording. The Deluxe Edition comes in the form of a small hardback book which contains onstage and backstage photos from the gig and liner notes by Bob Gruen. And most importantly for collectors and completists, Live at Shea Stadium is currently the only complete live show of the Clash that has been officially released.

Bottom line: if you already own From Here to Eternity and Live Revolution Rock, Live at Shea Stadium is well worth buying.
Summary: What do we have for entertainment?